FIELD NOTES

Field notes are the ramblings of ideas, thoughts, notes, camera workflows and lighting plans from a Yorkshrie based DOP and camera operator.

This blog is a working journal; a place to collect thoughts, tests and observations from the day-to-day realities of cinematography, analouge photography and creative business.

I cover a wide range of topics, some technical, some creative. Most are centred around my experiences on different projects as they come and go. That centres around Sony camera systems, although RED, Blackmagic and ARRI cameras make the occasional appearance too.

It’s mainly written for myself as a way of documenting the behind-the-scenes of my work, alongside ideas, thoughts and reflections on specific industry topics. It may also be relevant to other professionals, particularly camera assistants, operators, Sony users and aspiring cinematographers.

But I’ll be honest, I don’t expect most people to find it interesting.

It’s a mix of technical notes, experiments and the kind of daydreamy thoughts I suspect only 1% of us ever think about.

But if you’re in that 1%, you’re very welcome.

Venice, Rig James Stier Venice, Rig James Stier

Camera Tech Indulgence & The Rush Design VCT Plate for the Sony Venice

Alright, let’s kick off this blog with a deep dive into camera rigging—especially for those of you who own a Sony Venice, are Venice-curious, or work as ACs with the Mk1 or Mk2. The Venice has become more accessible lately, opening up new possibilities. I’m hoping to share a few tips that might help you with rigging, operating, and navigating the quirks that make this camera so unique.

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